Audio mixer
Summary by NHIP
Audio mixer with in-plane sensor
The audio mixer uses an in-plane position sensor to generate two concurrent signals that control effect processors and an addition unit. A mode switch selects operating modes where finger movements on a surface adjust low-pass and high-pass filter frequencies, attenuations, and addition ratios.
Claim Score by NHIP
Abstract
An in-plane position sensor detects positions along two directions or X-Y directions to produce a pair of position signals concurrently. The pair of position signals controls control parameters which influence upon a variety of effecters and addition processor which are implemented in a digital arithmetic unit (DSP).

Term
Term ended
Expired 7 January 2023, 3.7 years ago.
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9 claims: 1 independent, 8 dependent
- 1Broadest claimClaim Score 42, average(NHIP)An audio mixer comprising an effect algorithm processor inserted into each signal path of a plurality of channels of audio signals;an addition processor for performing an addition processing function of audio signals delivered from respective channels to deliver a single output signal;an in-plane position sensor for delivering the position of a maneuvered point on a operating surface in the form of a first and a second position signal which represent positions in orthogonally crossing two directions on the operating surface;a mode changeover switch for selecting one of different operating modes of the audio mixer, the respective effect algorithm processors having functions which are configured in accordance with the one operation mode selected by the mode changeover switch;and a controller responsive to the selected one operation mode selected by the mode changeover switch for concurrently controlling by means of the first and the second position signals delivered from the in-plane position sensor which are obtained by a single fingertip operation at least two of the functions of the effect algorithm processors and the addition processor.
100 paragraphs in 4 sections, as filed
BACKGROUND OF THE INVENTION
0001The present invention relates to a mixing of a plurality of musical signals from a variety of record players and CD players in real time, or providing an audio mixer which may be utilized in a disc jockey rendition as found in a dancing club, radio broadcasting programs or the like, for example, to change a musical signal being performed into another momentarily to aid some performance, in particular, an audio mixer of excellent maneuverability.
0002<figref idref="DRAWINGS">FIG. 1</figref> shows an exemplary functional arrangement of a conventional audio mixer. An audio mixer <b>10</b> shown includes audio input terminals <b>11</b> and <b>12</b> for two channels, to which audio signals CH<b>1</b>, CH<b>2</b> are input and then subject to effect algorithm processors <b>21</b>, <b>22</b> which add appropriate acoustical effects thereto before they are added together at a suitable addition ratio in an addition processor <b>23</b>. An effect algorithm processor <b>24</b> adds an appropriate acoustical effect to the added signal, which is then delivered as an audio signal from an output terminal <b>17</b>.
0003Effect algorithm processors <b>21</b>, <b>22</b>, <b>24</b> and the addition processor <b>23</b> are implemented with a digital arithmetic unit <b>20</b>, which is commonly referred to as DSP (digital signal processor). Audio signals which are input to the input terminals <b>11</b> and <b>12</b> (which are generally both stereo signals and their signal paths comprise stereo signal transmission paths) are fed through volume controls <b>13</b>, <b>14</b>, respectively, to A/D converters <b>15</b>, <b>16</b>, respectively, where they are converted into digital signals to be input to the digital arithmetic unit <b>20</b>. The effect algorithm processors <b>21</b>, <b>22</b> apply the addition of reverberations, echoes, chorus effects, distortions or the like, for example, to both or either one of the audio signals. Output signals from the processors <b>21</b>, <b>22</b> are added together at a suitable addition ratio in the addition processor <b>23</b>, and the effect algorithm processor <b>24</b> again applies an appropriate acoustical effect (such as volume and tone control, for example) to the added signal to be fed to a D/A converter <b>18</b> where the latter is converted into an analog signal, which is then delivered as an analog audio signal from the output terminal <b>17</b>.
0004An operational mode of the digital arithmetic unit <b>20</b> is set up by a controller <b>26</b> which principally comprises a microcomputer. As is well known, the controller <b>26</b> comprises a central processing unit <b>26</b>A, a rewriteable RAM <b>26</b>B, a read only memory ROM <b>26</b>C, an input port <b>26</b>D and an output port <b>26</b>E.
0005An entry setting unit which is mounted on a control panel <b>30</b> is connected to the input port <b>26</b>D. To exemplify the entry setting unit, it may includes as a required minimal arrangement, a mode changeover switch <b>31</b> and three sliding variable resistors <b>32</b>, <b>33</b>, <b>34</b>. By operating the mode changeover switch <b>31</b> to a selected position, the operational mode of the digital arithmetic unit <b>20</b> can be changed. Thus, when the mode changeover switch is thrown to a selected position, each of the effect algorithm processors <b>21</b>, <b>22</b>, <b>24</b> can be independently configured to operate as a variable low pass filter, a variable high pass filter or as a variety of effecters such as an effecter adding reverberations, an echo adding effecter or a sound distorting effector.
0006The selected operational mode is indicated on a indicator <b>27</b> which is connected to the output port <b>26</b>E, whereby a user can know which mode is established by recognizing the mode indication on the indicator <b>27</b>. An entry setting unit which sets up a variety of parameters in addition to the mode changeover switch <b>31</b> and the sliding variable resisters <b>32</b> to <b>34</b> in order to achieve various other effecter operations is also known, but will not be described herein for the sake of simplicity.
0007A program which causes the microcomputer defining the controller <b>26</b> to operate in accordance with a selected mode is stored principally in ROM <b>26</b>C.
0008For example, when the mode changeover switch <b>31</b> is thrown to the position No. 1, the operation in a cross fade mode is established. In a cross fade mode, the addition ratio between the signals CH<b>1</b> and CH<b>2</b> which are input to input terminals <b>11</b> and <b>12</b> can be changed in a differential manner. A functional arrangement of the digital arithmetic unit <b>20</b> when it is set up in the cross fade mode is shown in a simplified form in FIG. <b>2</b>. When this mode is set up, the effect algorithm processors <b>21</b>, <b>22</b> and <b>24</b> are set up to freely pass the input signals therethrough, and the addition processor <b>23</b> is replaced by a condition which is equivalent to a variable resistor having opposite ends to which the signal CH<b>1</b> and CH<b>2</b> are input, respectively, and having a movable tap from which a synthesized signal is delivered. Thus, when the cross fade mode is established, an execution of the program by the microcomputer causes the digital arithmetic unit <b>20</b> to perform the addition in accordance with the sliding position of the movable tap on the sliding movable resister <b>32</b>.
0009Accordingly, in the cross fade mode of the addition processor <b>23</b>, the volumes of the signal CH<b>1</b> and CH<b>2</b> can be controlled in a differential manner through the controller <b>26</b>, by operating the sliding movable resister <b>32</b>. In other words, a switching from the signal CH<b>1</b> to the signal CH<b>2</b> or from the signal CH<b>2</b> to the signal CH<b>1</b> can take place in a gradual manner. Such switching is referred to as cross fade.
0010<figref idref="DRAWINGS">FIG. 3</figref> shows a functional arrangement of an operational mode in which the function of changing the frequency response of the filters in the respective input channels is added to the cross fade from the signal CH<b>1</b> to the signal CH<b>2</b>. This operational mode may be considered as being established when the mode changeover switch <b>31</b> shown in <figref idref="DRAWINGS">FIG. 1</figref> is thrown to the position No. 2, for example. In this instance, the digital arithmetic unit <b>20</b> is configured so that the functions of a variable low pass filter and a variable high pass filter are imparted to the effect algorithm processors <b>21</b> and <b>22</b>, respectively. In the example shown in <figref idref="DRAWINGS">FIG. 3</figref>, the variable low pass filter function is imparted to the effect algorism processor <b>21</b> which is associated with the signal CH<b>1</b> while the variable high pass filter function is imparted to the effect algorithm processor <b>22</b>.
0011The cut-off frequency of the variable low pass filter which is formed by the effect algorithm processor <b>21</b> can be moved to a higher or a lower frequency by sliding the variable resistors <b>33</b> mounted on the control panel <b>30</b>. Similarly, the cut-off frequency of the variable high pass filter which is formed by the effect algorithm processor <b>22</b> can be moved to a higher or lower frequency by sliding the variable resisters <b>34</b>. Accordingly, when the sliding variable resistors <b>32</b> which controls the addition processor <b>23</b> is operated to switch gradually from the signal CH<b>1</b> to the signal CH<b>2</b> while simultaneously operating the sliding variable resistors <b>33</b> and <b>34</b> in a differential manner (or moving the slider positions differentially) to lower the cut-off frequencies of both the variable low pass filter and the variable high pass filter, the tone in the signal CH<b>1</b> which contains a middle and a high pitch region component change into ones in which the lower pitch components are principal while the signal CH<b>2</b> which originally contains only high pitch region components gradually changes into ones which include both middle and low pitch region components, thus producing tones which are clearly perceivable.
0012Accordingly, when the sliding variable resistors <b>33</b> and <b>34</b> are operated in a differential manner while operating the sliding variable resistor <b>32</b>, a switching of the signal tones will be felt more naturally than when the cross fade takes place simply in terms of the volumes, thus realizing a cross fade with a more excellent rendition in audible sensation.
0013<figref idref="DRAWINGS">FIG. 4</figref> shows a functional arrangement of another operational mode which is established by throwing the mode changeover switch <b>31</b> shown in <figref idref="DRAWINGS">FIG. 1</figref> to the position No. 3 to add the function of adding reverberations only to those signals which fade out during the cross fade. At this end, the effect algorithm processor <b>21</b> (or <b>22</b>) is set up as a reverberation or echo effecter. Specifically, <figref idref="DRAWINGS">FIG. 4</figref> shows that the effect algorithm processor <b>21</b> includes a reverberation adding unit <b>21</b>-<b>1</b>, and an addition processor <b>21</b>-<b>2</b> which achieves a cross fade between a reverberation added tone and direct tone which is not added with a reverberation.
0014The addition processor <b>21</b>-<b>2</b> which is configured in the effect algorithm processor <b>21</b> can be controlled by sliding the sliding variable resistor <b>33</b> mounted on the control panel <b>30</b> to change the addition ratio or mix balance between the reverberated tone and non-reverberated or direct tone. For example, when the cross fader is moved in a direction from the signal CH<b>1</b> toward the signal CH<b>2</b>, the cross fader may be operated, and simultaneously, the sliding variable resistor <b>33</b> may be moved from a condition in which the proportion of the reverberated tone and the direct tone is equal to 0% and 100%, respectively, to a condition in which the proportion is reversed, or, the reverberated tone occupies 100% while the direct tone occupies 0%. In this instance, the tones in the signal CH<b>1</b> gradually decrease in volume while shifting to reverberated tones, but the tones in the signal CH<b>2</b> simply increases in the volume.
0015It will be seen that these operations not only result in a simple transition of the volume from the signal CH<b>1</b> to the signal CH<b>2</b> during the cross fade, but there is obtained a transition in which the signal CH<b>1</b> changes into reverberated tones which are gradually deepened and are further moving away, and are replaced by the tones of the signal CH<b>2</b>. This realizes a more natural and effective cross fade.
0016<figref idref="DRAWINGS">FIG. 5</figref> shows a functional arrangement of an effect insert mode established for the digital arithmetic unit <b>20</b> when the mode changeover switch <b>31</b> shown in <figref idref="DRAWINGS">FIG. 1</figref> is thrown to the position No. 4. In the example shown in <figref idref="DRAWINGS">FIG. 5</figref>, the effect algorism processor <b>22</b> associated with the signal CH<b>2</b> is arranged to be a pass-through condition while effect changeover switches SW<b>1</b> and SW<b>2</b> are connected before and after the effect algorithm processor <b>21</b> in the path of the signal CH<b>1</b>. In this manner, by changing the switches SW<b>1</b> and SW<b>2</b>, a switching between a condition in which the effect algorithm processor <b>21</b> is connected and another condition in which it is replaced by a pass-through condition is achieved. The effect changeover switches SW<b>1</b> and SW<b>2</b> are changed by operating a switch <b>35</b> which is included in the control panel <b>30</b>.
0017The effect function of the effect algorithm processor <b>21</b> may be a mode of the addition of the reverberated tones, for example. By operating the sliding variable resistors <b>33</b> and <b>34</b>, the degree of reverberations, namely, how deeply or weakly the reverberations are applied and the time over which the reverberations are attenuated can be controlled.
0018When it is desired to add reverberations to the signal CH<b>1</b>, the switch <b>35</b> may be depressed, for example, and a resulting contact on signal may be applied to the controller <b>26</b> to change the effect changeover switches SW<b>1</b> and SW<b>2</b> so that the signal CH<b>1</b> is passed through the effect algorithm processor <b>21</b> before it is applied to the addition processor <b>23</b>. When the sliding variable resistors <b>33</b> and <b>34</b> are operated simultaneously, reverberated tones are added to the signal CH<b>1</b> depending on the sliding position, thus changing the depth of reverberations and the attenuation interval. In this instance, the addition ratio by the addition processor <b>23</b> is controlled by the sliding movable resistor <b>32</b>.
0019It will be seen that a conventional audio mixer suffers from a poor maneuverability in that its operation is troublesome because the maneuver principally comprises operating the sliding movable resistors <b>32</b>,<b>33</b>,<b>34</b> and the switch <b>35</b> to implement the cross fade, to change the cut-off frequency of the filter or to change the depth to which the reverberations are added.
0020The maneuver is troublesome in particular in the arrangement of <figref idref="DRAWINGS">FIG. 3</figref> where the cut-off frequencies of both variable low pass filter <b>21</b> and variable high pass filter <b>22</b> must be changed in a differential manner while simultaneously carrying out the cross fade, thus requiring that the three sliding variable resistors <b>32</b>, <b>33</b>, <b>34</b> be operated at the same time.
0021In the arrangement of <figref idref="DRAWINGS">FIG. 2</figref> where a simple cross fade operation takes place, what occurs is a gradual reduction, for example, of the tones in the signal CH<b>1</b> to be replaced by a gradually increase in the tones of the signal CH<b>2</b>, resulting in a monotonous changeover of tones, which is unnatural disadvantageously. In particular, when the tones in the both signals CH<b>1</b> and CH<b>2</b> are mixed together, a simple addition of two input musical tones result in an intricate sound.
0022In carrying out the cross fade, when the maneuver is made to change the cut-off frequencies of both the variable low pass filter <b>21</b> and the variable high pass filter <b>22</b> in the same direction as indicated in <figref idref="DRAWINGS">FIG. 3</figref>, if the cross fade is implemented in synchronism, a smooth switching of tones results to improve the audible sensation, which is advantageous. What is brought forth in the actual audible cross fade shown in <figref idref="DRAWINGS">FIG. 3</figref> will be described below.
0023When musical tunes as from CD or records are input to the input terminal <b>11</b> and <b>12</b>, it will be noted that signals from the musical instruments which are used in these musical tunes include inherent frequency bands. For example, a bass drum, a cymbal and a guitar or a vocal has its principal signal component in the low pitch tone region, the high pitch tone region, and the middle pitch tone region, respectively. Rather than reducing the volume of the signal CH<b>1</b> and shifting to the signal CH<b>2</b> in a simple manner, in the cross fade shown in <figref idref="DRAWINGS">FIG. 3</figref> in which the cut-off frequencies of the filters in the respective channels are varied, there is an effect that the tones fade out from the signal CH<b>1</b> in a sequential manner beginning with the high pitch region signal components in the musical instruments while tones from the signal CH<b>2</b> appear in a opposite sequence beginning with the high pitch signal components of the musical instruments. However, to realize this to effect, the three sliding variable resistors <b>32</b>, <b>33</b>, <b>34</b> must be operated simultaneously, thus involving the drawback of a difficult maneuver.
0024In the arrangement shown in <figref idref="DRAWINGS">FIG. 4</figref>, the cross fade while leaving the reverberations allows the tones in the signal CH<b>1</b> to be gradually changed into reverberated tones rather than simply decreasing the volume thereof, thus achieving an effective cross fade in audible rendition in that the signal CH<b>1</b> moves farther away while the tones in the signal CH<b>2</b> come into appearance. However, again the two sliding moveable resistors <b>32</b>, <b>33</b> must be operated simultaneously.
0025In the effect function adding mode shown in <figref idref="DRAWINGS">FIG. 5</figref>, the switch <b>35</b> must be depressed while simultaneously operating the sliding variable again, the maneuver is troublesome and the operator will experience a substantial fatigue when he works over a prolonged length of time.
0026It is an object of an invention to eliminate inconveniences of the prior art as mentioned above, by providing an audio mixer which can be maneuvered in a simple manner.
SUMMARY OF THE INVENTION
0027In accordance with the invention, an audio mixer comprises;
0028an effect algorithm processor inserted into each signal path of a plurality of channels of audio signals;
0029an addition processor for performing an addition processing of audio signals delivered from respective effect algorithm processors to deliver a single channel signal;
0030an in-plane position sensor for delivering the position of a maneuvered point on a plane in the form of a first and a second position signal which represent positions in mutually crossing two directions on the plane;
0031and a controller responsive to the first and the second position signal delivered by the in-plane position sensor by applying a control parameter to at least one of the effect algorithm processor and the addition processor to control at least one of a plurality of responses which are provided by the effect algorithm processors and an addition ratio effected by the addition processor.
0032The effect algorithm processor and the addition processor have functions which are effectuated in different modes which are set up by a mode changeover switch; in a selected mode, one of the effect algorithm processors has a variable low pass filter function while another has a variable high variable pass filter function and the addition processor has a cross fade high variable pass filter function and the addition processor has a cross fade function; the first and the second position signal are control parameters each controlling the cut-off frequency and the attenuation of the variable low pass and the high pass filter, and the first position signal is also a control parameter controlling an addition ratio effected by the addition processor.
0033In another selected mode, either one or both of the effect algorithm processors have a reverberation adding function, and the addition processor has a cross fade function. The first position signal is a control parameter controlling the volume of reverberated tones produced by the reverberation adding function, and the second position signal is a control parameter controlling an addition ratio effected by the addition processor.
0034In a further selected mode, the effect algorithm processor inserted in the path of either one of the audio signals has an effecter function, and the first and the second position signal are control parameters controlling how the effecter function is exercised. The controller includes means for controlling the effecter function to a condition in which it is connected in the path of the audio signal when the position signals are being produced by the in-plane position sensor and a pass-through condition when the position signals are not produced. The controller also includes position storage means which stores the first and the second position signals delivered by the in-plane position sensor and which reads the stored first and second position signals and deliver them as control parameters.
0035The addition processor and the effect algorithm processors are implemented in a digital arithmetic unit, and the controller is implemented by a microcomputer.
0036Audio input signals are from a plurality of channels equal to and greater than two, and the audio signals of the plurality of channels are mixed the in-plane position sensor to be delivered as a single channel signal.
0037The position sensor has an operating surface which can be depressed to deliver position signals. A pressure sensor is disposed in overlapping relationship with the position sensor, and a force of depression applied to the position sensor is detected by the pressure sensor, with a resulting detection signal being applied by the controller to one of the effect algorithm processors as a control parameter which controls the response of this processor.
0038With the audio mixer according to the invention, the use of the in-plane position sensor as entry means improves the maneuverability. The in-plane position sensor detects positions in two directions along X-Y axes. A position signal taken in one axis direction allows a plurality of different kinds of parameters to be controlled while a position signal taken in the other axis direction allows a plurality of different kinds of parameters, which are distinct from the first mentioned parameters, to be controlled.
0039Accordingly, if a fingertip is moved in X and/or Y direction on the in-plane position sensor, a plurality of control parameters can be concurrently controlled in accordance with the position where the fingertip is moved to. Thus, for example, the cut-off frequency of the variable filter, the attenuation of the variable filter and the addition ratio of the cross fade can be concurrently controlled. A control over a plurality of acoustical effects is possible with the maneuver of a single fingertip.
0040When the pressure sensor is provided in addition to the in-plane position sensor, a detection signal from the pressure sensor can be used in controlling acoustical effect adding means, thus providing an advantage that three kinds of parameters can be controlled with the maneuver of a single fingertip.
0041Thus, the audio mixer of the invention allows a free control over a variety of parameters with a single fingertip, affording the advantage of an excellent maneuverability for the audio mixer.
BRIEF DESCRIPTION OF THE DRAWINGS
0042<figref idref="DRAWINGS">FIG. 1</figref> is a block diagram showing a functional arrangement of conventional audio mixer;
0043<figref idref="DRAWINGS">FIG. 2</figref> is a block diagram showing a functional arrangement of an operational mode of the prior art;
0044<figref idref="DRAWINGS">FIG. 3</figref> is a block diagram showing a functional arrangement of another operational mode of the prior art;
0045<figref idref="DRAWINGS">FIG. 4</figref> is a block diagram showing a functional arrangement of a further operational mode of the prior art;
0046<figref idref="DRAWINGS">FIG. 5</figref> is a block diagram showing a functional arrangement of yet another operational mode of the prior art;
0047<figref idref="DRAWINGS">FIG. 6</figref> is a block diagram showing a functional arrangement of one embodiment of the invention;
0048<figref idref="DRAWINGS">FIG. 7</figref> is a block diagram showing a functional arrangement of an operational mode of the embodiment shown in <figref idref="DRAWINGS">FIG. 6</figref>;
0049<figref idref="DRAWINGS">FIG. 8A</figref> is a diagram showing the coordinates on an operating surface of an in-plane position censor <b>37</b>;
0050<figref idref="DRAWINGS">FIG. 8B</figref> is a graphical representation of a position signal EX plotted against X-axis position on the operating surface of the in-plane position censor <b>37</b>;
0051<figref idref="DRAWINGS">FIG. 8C</figref> is a graphical representation of a position signal EY plotted against the Y-axis position on the operating surface of the in-plane position censor <b>37</b>;
0052<figref idref="DRAWINGS">FIG. 9</figref> is a diagram showing loci traced by a variety of maneuvers on the in-plane position censor <b>37</b>;
0053<figref idref="DRAWINGS">FIG. 10A</figref> is a graphical representation of the response of and an output from the low pass filter plotted against a position signal;
0054<figref idref="DRAWINGS">FIG. 10B</figref> is a graphical representation of the response of and an output from a high pass filter plotted against a position signal;
0055<figref idref="DRAWINGS">FIG. 11</figref> is a characteristic diagram of a low pass filter and a high pass filter when a point depressed is located close to (X<b>0</b>, Y<b>1</b>);
0056<figref idref="DRAWINGS">FIG. 11B</figref> is a characteristic diagram of the both filters when a point depressed is located intermediate (X<b>1</b>, Y<b>1</b>) and (X<b>0</b>, Y<b>1</b>);
0057<figref idref="DRAWINGS">FIG. 11C</figref> is a characteristic diagram of the both filters when a point depressed is located close to (X<b>1</b>, Y<b>1</b>);
0058<figref idref="DRAWINGS">FIG. 12</figref> is a block diagram showing a functional arrangement of another operational mode of the embodiment shown in <figref idref="DRAWINGS">FIG. 6</figref>;
0059<figref idref="DRAWINGS">FIG. 13</figref> is a diagram showing addition characteristic of an addition processor <b>21</b>-<b>2</b> plotted against the position signal EY in the functional arrangement shown in <figref idref="DRAWINGS">FIG. 12</figref>;
0060<figref idref="DRAWINGS">FIG. 14</figref> is a diagram showing addition characteristic of an addition processor <b>23</b> plotted against the position signal EX in the functional arrangement shown in <figref idref="DRAWINGS">FIG. 12</figref>;
0061<figref idref="DRAWINGS">FIG. 15</figref> is a diagram of an exemplary locus of maneuver on the in-plane position censor <b>37</b> in the functional arrangement shown in <figref idref="DRAWINGS">FIG. 12</figref>;
0062<figref idref="DRAWINGS">FIG. 16</figref> is a block diagram showing a functional arrangement of a further operational mode of the embodiment shown in <figref idref="DRAWINGS">FIG. 6</figref>;
0063<figref idref="DRAWINGS">FIG. 17A</figref> graphically shows a reverberation time plotted against the position signal EX;
0064<figref idref="DRAWINGS">FIG. 17B</figref> graphically shows the depth of reverberation plotted against the position signal EY;
0065<figref idref="DRAWINGS">FIG. 18</figref> is a block diagram showing a functional arrangement of a modification of the invention; and
0066<figref idref="DRAWINGS">FIG. 19</figref> is a block diagram showing another modification of the invention;
DESCRIPTION OF PREFERED EMBODIMENTS
0067<figref idref="DRAWINGS">FIG. 6</figref> shows a functional arrangement of an audio mixer according to one embodiment of the invention. It is to be noted that parts corresponding to those shown in <figref idref="DRAWINGS">FIG. 1</figref> are designated by like numerals and characters as used before. This embodiment features the provision of an in-plane position censor <b>37</b> on a control panel <b>30</b> and position storage means <b>26</b>B-<b>1</b> in RAM <b>26</b>B of a controller <b>26</b>.
0068In this example, the in-plane position censor <b>37</b> produces voltage signals EX and EY as position signals representing respective positions on vertical and horizontal axes. Thus, when a point P on a rectangular operating surface <b>37</b><i>a </i>is depressed, voltage signals EX and EY which correspond to positions on X(horizontal) axis and Y(vertical) axis are input to an input port <b>26</b>D of the controller <b>26</b>. The voltage values of the voltage signals EX and EY are converted into digital signals in an A/D converter which is contained within the input port <b>26</b>D, and the digital signals representing the positions of the depressed point are read to be stored in RAM <b>26</b>B. The digital values stored which correspond to the voltage signals EX and EY are later read from RAM <b>26</b>B to be fed to a digital arithmetic unit <b>20</b> as control parameters. The in-plane position censor <b>37</b> of the kind described is disclosed, for example, in Japanese Laid-Open Patent Applications No. 86/43,332 (issued Mar. 1, 1986) and No. 91/192,418 (issued Aug. 22, 1991).
0069<figref idref="DRAWINGS">FIG. 7</figref> shows a functional arrangement of the audio mixer <b>10</b> shown in <figref idref="DRAWINGS">FIG. 6</figref> in which the mode changeover switch is thrown to the position No. 2, and the digital arithmetic unit <b>20</b> is set up so that the effectg algorithm processors have functions similar to those shown in FIG. <b>3</b>. When this mode is set up, the functions can be set up in the effect algorithm processors <b>21</b>, <b>22</b> and the additional processors <b>23</b> by a similar technique as in the prior art. In the present example, a plurality of different kinds of parameters for the effectors are controlled in one operation in accordance with the voltage signals EX and EY from the in-plane position sensor <b>37</b>. The plurality of parameters may include a parameter which controls the cut-off frequency of a filter, for example, in accordance with a mode which is set up by the mode changeover switch <b>31</b>, a parameter which controls the attenuation or gain of the filter, a parameter which controls the addition ratio during the cross fade and the like.
0070The description of the in-plane position sensor <b>37</b> shown in <figref idref="DRAWINGS">FIG. 6</figref> will be described in summary with reference to FIG. <b>8</b>. <figref idref="DRAWINGS">FIG. 8A</figref> shows the coordinate relationship on the operating surface <b>37</b><i>a </i>in the in-plane position sensor <b>37</b>. Specifically, the rectangular operating surface <b>37</b><i>a </i>has a lower left corner located at coordinates (X<b>0</b>, Y<b>0</b>) a lower right corner located at coordinates (X<b>1</b>, Y<b>0</b>), an upper left corner located at coordinates (X<b>0</b>, Y<b>1</b>) and an upper right corner located at coordinates (X<b>1</b>, Y<b>1</b>). The in-plane position sensor <b>37</b> delivers a voltage signal EX which corresponds to the X value and a voltage signal EY which corresponds to the Y value of the coordinates (X, Y) of a point on the operating surface <b>37</b><i>a</i>. The voltage signal EX has a minimum value, which is located at an X coordinate of X<b>0</b> in the present example while it has a maximum value at an X coordinate of X<b>1</b>. In this manner, the voltage signal EX changes linearly with respect to the X coordinate value, as shown in FIG. <b>8</b>B.
0071The voltage signal EY has a minimum value, which is located at a Y coordinate Y<b>0</b>, as shown in <figref idref="DRAWINGS">FIG. 8C</figref>, and has maximum value at a Y coordinate of Y<b>1</b>, thus changing linearly with the Y value.
0072Accordingly, when an arbitrary point P on the operating surface <b>37</b><i>a </i>is depressed, the position (X, Y) of the point P depressed can be specified by the voltage signals EX and EY which are produced. The controller <b>26</b> reads the position signals in the form of the voltage signals EX and EY to specify a position (X, Y) on the plane, and delivers control parameters which depend on this position through RAM <b>26</b>B to controlled means which are the effect algorithm processors <b>21</b>, <b>22</b> and <b>24</b> for controlling their conditions. The stored content in the RAM <b>26</b>B is sequentially updated in accordance with input position signals EX and EY. When an operation with respect to the in-plane position sensor ceases, the values of the position signals EX and EY which prevailed immediately before are retained in RAM <b>26</b>B, which delivers these values to digital arithmetic unit <b>20</b> as control parameters.
0073In this embodiment, one of the effect algorithm processors, <b>21</b>, is configured to operate as a variable low pass filter, the other effect algorithm processor <b>22</b> is configured to operate as a variable high pass filter, the cut-off frequencies of the variable low pass filter and the variable high pass filter are controlled with accordance with the position signal EX, the attenuation of the variable low pass filter and the variable high pass filter are controlled in accordance with the position signal EY, and the addition ratio effected by the addition processor <b>23</b> is controlled in accordance with either one of the position signals which may be EX, for example.
0074In this embodiment, when a point maneuvered on the in-plane position sensor <b>37</b> has a Y coordinate close to Y<b>0</b>, both the effect algorithm processors <b>21</b> and <b>22</b> do not have a filter response and accordingly, the frequency response is flat. Specifically, referring to <figref idref="DRAWINGS">FIG. 9</figref>, when the maneuver follows a locus M<b>1</b> extending from a point (X<b>0</b>, Y<b>0</b>) to a point (X<b>1</b>, Y<b>0</b>), no control is exercised over the effect algorithm processors <b>21</b> and <b>22</b>, and only the addition processor <b>23</b> is controlled in accordance with the effect signal EX to carry out the cross fade operation which only involves the volume of the signals CH<b>1</b> and CH<b>2</b>. In other words, the signals CH<b>1</b> and CH<b>2</b> are added together by the addition processor <b>23</b> at respective volumes indicated on rectilinear lines J<b>1</b> and J<b>2</b> shown in <figref idref="DRAWINGS">FIGS. 10A and 10B</figref> which depend on the position of the locus M<b>1</b>.
0075The control responses J<b>1</b> and J<b>2</b> which are applied to the signals CH<b>1</b> and CH<b>2</b> by the addition processor <b>23</b> remain invariable if the operated position moves to any position in the Y axis direction.
0076On the other hand, when the maneuver takes place along a locus M<b>2</b> from a point (X<b>0</b>, Y<b>1</b>) to a point (X<b>1</b>, Y<b>1</b>) as shown in <figref idref="DRAWINGS">FIG. 9</figref>, there occur, in addition to the cross fade operation performed by the addition processor <b>23</b>, the operations of the effect algorithm processors <b>21</b> and <b>22</b> as a variable low pass filter and a high pass filter, respectively, each having a varying cut-off frequency. A curve L<sub>o </sub>shown in <figref idref="DRAWINGS">FIG. 10A</figref> illustrates the behaviour of a change in the cut-off frequency FC of the variable low pass filter into which the effect algorithm processor <b>21</b> is configured. The closer the X value moves from X<b>0</b> toward X<b>1</b>, the lower the cut-off frequency FC as shown by broken line arrow <b>101</b>. A curve H<b>1</b> shown in <figref idref="DRAWINGS">FIG. 10B</figref> illustrates the behaviour of a change in the cut-off frequency FC of the variable high pass filter into which the effect algorithm processor <b>22</b> is configured. The closer the X value moves from X<b>0</b> toward X<b>1</b>, the lower the cut-off frequency FC as shown by broken line arrow <b>102</b>.
0077More specifically, when the point P depressed on the in-plane position sensor <b>37</b> is moved along the locus M<b>2</b> shown in <figref idref="DRAWINGS">FIG. 9</figref>, the cut-off frequencies of the variable low pass filter and the variable high pass filter change from the responses shown in FIG. <b>11</b>A through the responses shown in <figref idref="DRAWINGS">FIG. 11B</figref> to the responses shown in FIG. <b>11</b>C.
0078Accordingly, when the point P depressed is located at (X<b>0</b>, Y<b>1</b>), the signal CH<b>1</b> will be delivered from the processor <b>21</b> as a signal which contains a low pitch, a middle pitch and a high pitch component. However, when the point P depressed reaches a median point on the locus M<b>2</b>, a high pitch component is removed from the signal CH<b>1</b> which is delivered from the processor <b>21</b>, only leaving the low pitch and the middle pitch component. When the point P depressed reaches the position (X<b>1</b>, Y<b>1</b>), only the low pitch components in the signal CH<b>1</b> will be delivered from the processor <b>21</b>, but the cross fade function of the addition processor <b>23</b> causes the signal CH<b>1</b> which is delivered to the output terminal <b>17</b> to be mute.
0079On the other hand, when the point depressed is located at (X<b>0</b>, Y<b>1</b>) only the high pitch component of the signal CH<b>2</b> will be delivered from the processor <b>22</b> due to the high pass response, but the cross fade function of the addition processor <b>23</b> causes the signal CH<b>2</b> which is delivered to the output terminal <b>17</b> to be mute. When the point P depressed approaches the median point on the locus M<b>2</b>, the signal CH<b>2</b> will be delivered from the processor <b>22</b> as containing middle pitch components in addition to the high pitch components. When the position P depressed reaches the position (X<b>1</b>, Y<b>1</b>), the signal CH<b>2</b> will be delivered as containing the low pitch, the middle pitch and the high pitch component from the processor <b>22</b>, while the signal CH<b>1</b> is muted at this point.
0080A control over the attenuation of the variable low pass filter and the variable high pass filter will be described. When the maneuver follow a locus M<b>3</b> from point (X<b>0</b>, Y<b>1</b>) to (X<b>0</b>, Y<b>0</b>) as shown in <figref idref="DRAWINGS">FIG. 9</figref>, the respective attenuations of the variable low pass filter and the variable high pass filter will diminish gradually as indicated by curves G<b>1</b>, G<b>2</b>, G<b>3</b> shown in <figref idref="DRAWINGS">FIGS. 10A and 10B</figref>. As the point P depressed approaches (X<b>0</b>, Y<b>0</b>), the filter response will be flattened, and ultimately a flat filter response at (X<b>0</b>, Y<b>0</b>) which means that there is no filter function.
0081Thus it will be seen that when the operational mode shown in <figref idref="DRAWINGS">FIG. 7</figref> is set up, the cross fade control combined with the control of changing the cut-off frequencies FC of the variable low pass filter and the variable high pass filter in the same direction and the control of changing the attenuation of these filters can be achieved by the maneuver of a single fingertip on the in-plane position sensor <b>37</b>. Accordingly, when the maneuver follows a locus M<b>4</b> shown in <figref idref="DRAWINGS">FIG. 9</figref>, starting from a point (X<b>0</b>, Y<b>0</b>) and following a substantially trapezoidal locus to reach a point (X<b>1</b>, Y<b>0</b>), both the cut-off frequencies of the low pass and the high pass filter as well as the attenuations of these filters can be concurrently changed together with the cross fade. A variety of controls as mentioned above can be performed by the maneuver of a single fingertip on the operating surface of the in-plane position sensor <b>37</b> to depict loci M<b>1</b>,M<b>2</b>, M<b>3</b>, M<b>4</b> and the like. When the fingertip ceases to move, the prevailing conditions are maintained.
0082<figref idref="DRAWINGS">FIG. 12</figref> shows a functional arrangement of another operational mode set up in the audio mixer of the present invention. In this example, a reverberation adding function such as applying reverberations or delays is set up in either one or all of effect algorithm processors <b>21</b>, <b>22</b> provided in the plurality of signal paths of the digital arithmetic unit <b>20</b>, with the volume of the reverberations being controlled by one of the position signals delivered from the in-position sensor <b>37</b> and the other position signal controlling the addition processor <b>23</b>, thus allowing the cross fade with reverberations to be executed.
0083In the embodiment shown in <figref idref="DRAWINGS">FIG. 12</figref>, there is provided a triple set of the mode changeover switches <b>31</b> shown in FIG. <b>6</b>. The effect algorithm processor <b>21</b> connected in one of the signal paths includes the reverberation effect adding function <b>21</b>-<b>1</b>, and the addition processor <b>21</b>-<b>2</b> which provides a cross fade between the reverberated signal obtained from the function <b>21</b>-<b>1</b> and no-reverberated or direct signal.
0084The addition processor <b>21</b>-<b>2</b> is controlled by one of the position signals from the in-plane position sensor <b>37</b>, for example, by the signal EY while the addition processor <b>23</b> is controlled by the other position signal EX. <figref idref="DRAWINGS">FIG. 13</figref> shows the addition response by the addition processor <b>21</b>-<b>2</b> plotted against the position signal EY and <figref idref="DRAWINGS">FIG. 14</figref> shows the addition response by the addition processor <b>23</b> plotted against the position signal EX. In the example shown in <figref idref="DRAWINGS">FIG. 13</figref>, when a point having Y value of Y<b>0</b> is depressed on the in-plane position sensor <b>37</b>, the direct tones are delivered in their entirety (100%), and no reverberated tones will be delivered. When the point depressed is moved from Y<b>0</b> toward Y<b>1</b>, the position signal EY increases, thus gradually decreasing the level of the direct tones and alternatively increasing the level of reverberated tones.
0085When the point maneuvered on the in-plane position sensor <b>37</b> is moved between X<b>0</b> and X<b>1</b> in the similar manner as described above in connection with <figref idref="DRAWINGS">FIG. 7</figref>, the addition processor <b>23</b> is controlled to provide a cross fade between the signals Ch<b>1</b> and CH<b>2</b>.
0086Accordingly, when the maneuver on the in-plane position sensor <b>37</b> follows a locus M<b>1</b> shown in <figref idref="DRAWINGS">FIG. 15</figref>, for example, from point (X<b>0</b>, Y<b>0</b>) toward point (X<b>1</b>, Y<b>0</b>), the position signal EY remains to be <b>0</b> while position signal EX allows the cross fade between the signal CH<b>1</b> and CH<b>2</b> to take place. Alternatively, when the maneuver follows a locus L<b>3</b> which depicts an arc from point (X<b>0</b>, Y<b>0</b>) to (X<b>1</b>, Y<b>0</b>), it is possible to implement a cross fade between the reverberated tones and direct tones of the signal CH<b>1</b> in addition to the simple cross fade between the signal CH<b>1</b> and signal CH<b>2</b>.
0087Specifically, when following the locus M<b>3</b> starting from the position (X<b>0</b>, Y<b>0</b>), direct tones from the signal CH<b>1</b> will be initially delivered at the initial position (X<b>0</b>, Y<b>0</b>), but as the locus M<b>3</b> approaches toward Y<b>1</b>, the reverberated tones begin to appear while reducing the entire level of the signal CH<b>1</b>. The level of the signal CH<b>2</b> rises instead. Consequently, the signal CH<b>1</b> has its volume level gradually decreased while being changed into reverberated tones, and is ultimately replaced by the signal CH<b>2</b>. This situation will be audibly perceived as if the sound source of the signal CH<b>1</b> is gradually moving away while the sound source of the signal CH<b>2</b> is approaching.
0088When the locus L<b>3</b> is followed in the opposite direction, the cross fade from the signal CH<b>2</b> to the signal CH<b>1</b> occurs while tones of the signal CH<b>1</b> begin to be heard as reverberated tones of low level, which gradually change into direct tones with an increasing volume, and ultimately only the direct tones of the signal CH<b>1</b> remain. Thus, in this instance, the situation will be audibly perceived as if the sound source of the signal CH<b>1</b> is coming from far while the tones of the signal CH<b>2</b> are gradually disappearing. Such control is enabled by the present invention with a single fingertip.
0089When it is desired to set up the reverberation adding function in the both signal paths, a situation that one of the sound sources is approaching from far while the other is moving away can be achieved for each of the signals CH<b>1</b> and CH<b>2</b>.
0090<figref idref="DRAWINGS">FIG. 16</figref> shows an exemplary arrangement of a further operational mode of the audio mixer of the invention, which is established when the mode changeover switch is thrown to the position No. 4. This example shows the application of the invention to a conventional audio mixer which is provided with an effector as shown in FIG. <b>5</b>. In this example, the effect algorithm processor <b>22</b> connected in the path of a signal CH<b>2</b> is configured into a pass-through condition. In addition, a touch on detecting means <b>26</b>F is provided in the controller <b>26</b> for indicating the depression of the operating surface <b>37</b><i>a </i>of the in-plane position sensor <b>37</b> for indicating the generation of the signal EX and/or EY.
0091When a depression applied to the in-plane position sensor <b>37</b> is detected, the controller <b>26</b> changes the effect changeover switches SW<b>1</b> and SW<b>2</b>, whereby the effect algorithm processor <b>21</b> is connected into the path of the signal CH<b>1</b>. The effect algorithm processor <b>21</b> may comprise a reverberation adding effector, an echo adding effector or a chorus adding effector or the like, for example. It is assumed herein that it is configured as a reverberation adding effector.
0092When no depression is applied to the in-plane position sensor <b>37</b>, the effect algorithm processor <b>21</b> is connected out of the path of the signal CH<b>1</b> and therefore there is no effect applied to the signal CH<b>1</b>.
0093If a depression is now applied to the in-plane position sensor <b>37</b>, the touch on detecting means <b>26</b> in the controller <b>26</b> detects the touch on condition, thereby changing the effect changeover switches SW<b>1</b> and SW<b>2</b> to connect the effect algorithm processor <b>21</b> into the path of the signal CH<b>1</b>.
0094As mentioned above, the effect algorithm processor <b>21</b> is configured to be a reverberation adding effector. In this instance, the reverberation attenuation interval TRB can be controlled in accordance with the X-axis position signal EX while the depth D of the reverberation can be controlled in accordance with the Y-axis position signal EY Specifically, the closer the X value on the in-plane position sensor <b>37</b> moves from X<b>0</b> toward X<b>1</b>, the longer the reverberation attenuation interval TRB is controlled as shown in <figref idref="DRAWINGS">FIG. 17A</figref>, for example. Similarly, the closer the Y value approaches from Y<b>0</b> toward Y<b>1</b>, the greater the reverberation depth D can be controlled.
0095This means that whether or not the reverberation is applied and how the reverberation is applied can be controlled or adjusted by one-touch operation. A variety of effecters such as an echo adding effector or a distortion adding effector may be configured into the effect algorithm processor <b>21</b>, whereby two parameters of each effector as well as whether or not the effect is added can be simultaneously controlled. It is to be noted that the addition ratio effected by the addition processor <b>23</b> can be controlled by applying a voltage from the sliding variable resistor <b>32</b> to the controller <b>26</b>.
0096<figref idref="DRAWINGS">FIG. 18</figref> shows a functional arrangement of part of an audio mixer according to another embodiment of the invention. In this example, there are a plurality of channels for the input signals, which are four in the present example. Each of the input signals CH<b>1</b> to CH<b>4</b> are individually processed in effect algorithm processors <b>21</b>A, <b>22</b>A, <b>21</b>B, <b>22</b>B and two of processed signals are added together by addition processors <b>23</b>A, <b>23</b>B and the outputs of these addition processors are again added together by an addition processor <b>23</b>C into a single signal to be delivered.
0097The processors <b>21</b>A, <b>22</b>A, <b>21</b>B, <b>22</b>B and the addition processors <b>23</b>A, <b>23</b>B, <b>23</b>C can be configured into desired functions as mentioned above by a maneuver on the in-plane position sensor <b>37</b>.
0098<figref idref="DRAWINGS">FIG. 19</figref> shows a functional arrangement of an audio mixer according to a further embodiment of the invention. In this embodiment, a pressure sensor <b>38</b> is disposed in overlapping relationship with the in-plane position sensor <b>37</b>. A detection signal from the pressure sensor <b>38</b> controls the gain of an effect algorithm processor <b>24</b> which is configured into a variable gain amplifier, and the pressure applied to the point P depressed controls the volume thereof.
0099The in-plane position sensor may capacitive or optical in nature which is capable of detecting a two dimensional (or in-plane position) in terms of positions along two crossing directions. However, an in-plane position sensor of a resistive nature provides a high resolution and is inexpensive in cost. The mode changeover switch <b>31</b> is not limited to a rotary switch, but may comprise a plurality of key switches provided separately for each mode.
0100As discussed above, in accordance with the invention, the maneuver takes place in accordance with the in-plane position sensor to improve the maneuverability, thus providing an audio mixer which can be operated in a simple manner by anyone.
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Numbers
- Publication
- 06901149
- Publication, DOCDB
- 6901149
- Publication, EPODOC
- US6901149
- Application
- 9756877
- Application, DOCDB
- 75687701
- Application, EPODOC
- US20010756877
Titles
- English
- Audio mixer
Patent term adjustment
- A delay
- +788 daysthe office missed an examination deadline
- Applicant delay
- −61 days
- Net adjustment
- 727 days
Classification
- CPC, 1
- H04H60/04
- IPC, 3
- H03G1 00
- G10H1 00
- H03G3 00
- USPC, 2
- 381119000
- 381063000